Monica Piloni

Monica Piloni

Brussels, Belgium

Monica Piloni, born in Curitiba, Brazil in 1978, lives and works in Brussels, Belgium.
She graduated from the Sculpture Course at the School of Music and Fine Arts of Paraná (EMBAP) in 2002. Among her solo shows in Brazil, stand out “Dissident Symmetries”, Sorocaba Contemporary Art Museum (2022), “Humans, All Too Human” (2022) and “Cyclo” (2019), both in Zipper Gallery, São Paulo and “Both Odd”, Laura Marsiaj Gallery, Rio de Janeiro (2013). Furthermore, the artist participated in group exhibitions in major institutions in Brazil and abroad. 

Observing her work as a whole, Piloni’s fascination with the representation of the female figure becomes clear. What originally started from the self-portrait became, over time, a symbolic portrait of all women. Art as a collective narrative, according to Piloni also an impulse for social change. 

Construction and mirroring are recurring elements in Piloni’s work. In this way, the artist deforms the body to expand the perception of what the physical figure can be, making it as attractive as it is repulsive. The artist’s creatures, which although always composed of parts of the human body, also refer to mythological figures or demons, come to life in different media. The main medium in which her ‘beings’ exist is sculpture, but Piloni also manipulates them physically, virtually, through photography, animated, mounted on a pedestal or as part of an installation, all while exploring different materials such as bronze, marble, ceramic, fiberglass and plastic.

© Monica Piloni © Pictures Gui Gomes, Luciano Munhoz, Monica Piloni

Ruben Boeren

Ruben Boeren

Antwerp, BE

Ruben Boeren (1988, Antwerp) explores in his work the theatrical image and how to translate it in a contemporary and personal way.

This often results in an alienation of the underlying composition and a symbiosis of figuration and abstraction.

‘This merging of abstract and figurative morphology creates room for interpretation. This allows me to develop my own symbolism. It is interesting to see how people really develop a personal relationship with my works.‘ – Ruben Boeren

Above all, the artist celebrates the joy of painting and his ambition is to transmit that spark to the viewer.

Ruben Boeren studied painting at the Academy of Antwerp, followed by a postgraduate degree in visual research at Sint-Lucas Antwerp.

© Ruben Boeren © portraits by Athos Burez

Théodora Chiou

Théodora Chiou

Brussels, Belgium

Théodora CHIOU is a Taiwanese collectible artist and designer. A graduate of the Royal Academy of Fine Arts in Brussels, she currently lives and works in Brussels.

She works with clay to articulate complex ideas and transform abstract concepts into tangible forms. Her practice is inspired by industrial landscapes and the environmental impact of human activity, forming a personal visual language rooted in the theme of the Anthropocene.

Working in a rhythm counter to the pace of the modern world, she hand-builds her sculptures using coils and slabs—eschewing molds and machines. This direct and intuitive process reflects both the resilience and fragility of humanity.

Her modular sculptures, designed to be separated into multiple pieces, allow for flexible presentation and reinterpretation, offering a shifting perspective on perception and understanding.



© Théodora CHIOU

Bas Pattyn

Bas Pattyn

Brussels, Belgium

Bas Pattyn (1982, Belgium) is a minimalist artist and designer. 

He creates art and designs objects based on formal simplicity. Bas Pattyn’s binary thinking is reflected in his creations. The apparent simplicity of his works serves as a means to translate the complexities of the world into simple and straightforward forms. With few lines, he crafts stories which are nevertheless layered. Educated in graphic design and furniture design, Bas is in pursuit of establishing his place in the world.

 

© Bas Pattyn © photography Arnold Henri

Gert Motmans

Gert Motmans

Hasselt, Belgium

© Gert Motmans
photos:
(1) An ocean in between the waves #5
(2) DAY 21

Melancholy, nostalgia, fragility or darkness, but without being sombre? Duality is probably key in the still young body of work of Gert Motmans. It balances between figurative and abstract, complexity and a – deceitful – simplicity.
The graduate from the royal academy of Fine Arts, visual artist and fashion designer puts his identity, personality, personal experiences and dreams first in his collages. Motmans’ pictures express a desire for another world. A longing for familiarity and nostalgia. At the same time his images seem to embrace a threatening, futuristic vision.

The fragile works seem to feed on romanticism as well as minimalism. It shows a sense of great tenderness and sensuality but also of apprehension,  a slight fear to possibly lose something.

Kumi Oguro

Kumi Oguro

Belgium - Japan

KUMI OGURO,
A BRIEF PHYSIOGNOMY OF IMAGES

‘so I assumed there would be, at some point,
a door with a glittering knob,
but when this would happen and where I had no idea.’
Louise Glück, Faithful And Virtuous Night, 2014.

One could easily establish quite a precise typology by looking at the images collected and placed in HESTER by Kumi Oguro (the word ‘image’ is used on purpose here, instead of photography or photographic work). Here, we can see – and this list is not exhaustive – female figures, parts of bodies, closed-off interiors that are often empty, abandoned or run-down, spaces, floors and wide-open ceilings, plays on natural or artificial light, the presence of mirrors that are concealed to varying degrees, trivial accessories such as fabrics, curtains, clothes, woollen threads, cotton, chairs and armchairs that have become worn with use, small figurines, marbles or festive confetti, primary colours and other shades that are, frankly, lacklustre. But, proceeding in this manner, would we knowingly enter this world, of which Kumi Oguro shows us carefully designed and selected sections? A world – a story – that is equally about what she wants to reveal, but which she does not describe to us, and what we are encouraged to discover on our own.

Excerp from tekst from Alain Delaunois

© Kumi Oguro
photos
(1) velvet 
(2) spawn

Bernadette Messiaen

Bernadette Messiaen

Kortrijk, Belgium

As a visual artist and photographer, Bernadette Messiaen creates layered images using multiple graphic and photographic techniques that she employs with equal measures of freedom and spontaneity.

The artist usually makes use of shades of black, which she holds to be the deepest colour also leaving the most room for striking light. She explores the boundaries between presence and absence, between unfathomable depth and tenderness, between light and dark, between strength and fragility.

She erases the excess to arrive at the essence, in aesthetic images, which are sometimes overwhelmingly still.

ZILTES Art Book published by HOPPER&FUCHS

 






© Bernadette Messiaen

© Bernadette Messiaen
photos (left – right)
B#TO img356
B#TO img317

Stig De Block

Stig De Block

Antwerp, Belgium

Stig De Block (b°1990) is a (fine-art) photographer who’s cultural referenced practice is inspired by heritage values. Especially when working in a contemporary fashion landscape which comes and goes, intention, passion and realness are his building blocks. His story driven approach is a constant interaction between the everyday real and layers of his own imagination. With a strong interest in subcultures, his images reflect a contemporary realm of authentic and explicit beauty.

© Stig De Block 
photo _M0A2427
BACK TO BACK – From Backyard to Boulevard

Elise Corten

Elise Corten

Hasselt, Belgium

Elise Corten (b.1994) is a photographer based in Belgium. Elise’s practice primarily explores themes of intimacy, identity and memory through long term photo projects.
The concept of family plays a central role in her work.

Elise holds a master’s degree in visual arts from LUCA School of Arts, Belgium. Her work has been featured in exhibitions at home and abroad and can be found in several publications. It has also been internationally reviewed and awarded.




© Elise Corten
photos:
from the series:
Warmer than the sun
Forever holding on

Monique Thomaes

Monique Thomaes

Berlin, GER

Monique Thomaes, born in 1942

A Belgian artist, she has been working in Berlin since 1988, after living in the Netherlands for 20 years. Following a fine arts education (sculpture and installation) in The Hague, Monique Thomaes studied education and pedagogy at the Academy of Visual Arts in Rotterdam.

Berlin has had a major influence on her work. That influence is reflected in a transition from sculpture to spatial installations.Through various further studies, research and experiments, Thomaes’ work has expanded into the fields of photographic, slide, light and video installations.
Meditative, slow, poetic works alternate with works in which image and sound are transformed into dynamic choreographies through the use and misuse of montage techniques.

In addition, the artist works with artificial light and reflections. Displays with poetic text used in public spaces are another focal point, as are video stills translated into monumental photo series.

© Monique Thomaes
photos (1) Clouds 006
(2) The sea 003